The Tulsa Voice - February A 2016

The impassive evil of 'The Witch'

Haunting images and slow-burn dread make for a deeply affecting horror film

Joe O'Shansky

Movie Review: ANOMALISA

Charlie Kaufman’s enigmatic stop-motion drama

Joe O'Shansky

Love is a dog from hell

Anti-Valentine’s Day with cocktails and Bukowski

Nicci Atchley

Fun, cheap, heartfelt

Show your love without breaking the bank

Megan Shepherd

Celebrate everything!

A brief guide to Mardi Gras in Tulsa

Liz Blood

Art and commerce

Oklahoma’s revenue failure puts the squeeze on arts funding

Liz Blood

The prayer of Trump

The Donald comes to town

Joshua Kline

A homegrown visionary

Remembering the legacy of John Hope Franklin

Ray Pearcey

Dancing for change

One Billion Rising seeks to end violence against women

Mitch Gilliam

To the Manor Boren

Dan Boren and the imaginary middle

Barry Friedman

The adolescent surrealist

Playwright Jack Allen debuts “Cowboy”

Alicia Chesser

Interview with a madman

On the heels of a new album and memoir, Scarface comes to Tulsa

Mary Noble

Folkin' Okies

Oklahoma musicians set for international showcase

Matt Cauthron

Fitter, happier

‘Where to Invade Next’ searches for solutions, 'Deadpool' brings R-rated grit to the Marvel Universe

Joe O'Shansky

Love yourself first

‘The Bachelor’ is here for the wrong reasons

Claire Edwards

booze clues - 2/3

(tips on drinking well in Tulsa)

Greg Bollinger

Roll with the change

A quick look at the Blue Dome District’s ever-evolving culinary landscape

Maurie Traylor

February-A 2016