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Barry Friedman
The Tulsa Voice
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February-B 2018
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February-B 2018
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Booed by Mary
Ashley McCray on why indigenous activists unfurled a banner of protest at Fallin’s State of the State
Liz Blood
The trial of Stanley Majors
Found guilty of murder, a hate crime, and other charges, Majors’ years of terrorism come to an end
Zack Reeves
Under treaty
Murphy v. Royal could define Indian Country, Oklahoma
Jessica McBride
Dialogue, empowerment, change
Pastor Mareo Johnson leads the local Black Lives Matter chapter, mentors ex-inmates, and works to better North Tulsa
Mary Noble
The state we’re in
Part V: the end of an error
Barry Friedman
Galvanizing genealogists
A husband and wife team teach how to discover African-American ancestry
Kimberly Burk
Gimme danger
The Shelter People’s quest for rock ‘n’ roll immortality
Brady Whisenhunt
Two sounds together
Casii Stephan and Faye Moffett on bridging the gaps between genres
Damion Shade
The rise of Cintheez Family Bread
From power breakfasts to dinner rolls, Cynthia Zachary is a Kitchen 66 whiz
Mason Whitehorn Powell
Forging ahead
Marshall Brewing on the eve of its 10th birthday
Brady Whisenhunt
Empathic spaces
New Genre Arts Festival restructures
Alicia Chesser
Contact sheet: Street Photography
Makaila McGonigal
Walk about it
Eating Disorders Awareness Week aims to start journeys to healing
Trent Gibbons
Fight the power
‘Black Panther’ is a watershed moment for Marvel
Joe O’Shansky
Internet, take the wheel
Netflix Roulette makes up your mind for you
Joe O’Shansky
Full Circle
A brief rundown of what’s happening at the Circle Cinema
Homegrown terror
German drama ‘In the Fade’ examines the tragedy of xenophobic violence
Jeff Huston
The scores are in
Oklahoma slips in new economic rankings
Courtney Cullison
Voices in your head
A conversation with writer Brandon Hobson
Nathan Knapp
One, two, three, four!
Tulsa Project Theatre’s production of ‘Four Chords and a Gun’ keeps pace with a Ramones song
Mitch Gilliam
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